Thursday, 23 June 2011

Before Sunrise (1995) with Trailer

Linklater's simple yet highly enjoyable film where the two main performers are the key to the films success. Before Sunrise is another one of Richard Linklater's experimental films where the dialogue and performances are the main focus and the usual filmic techniques (like multiple edits, shots and angles) are abandoned for a more free form and relaxing capture of what genuinely feels like a blossoming relationship.

Ethan Hawke and Julie Delpy are two strangers who meet on a eurorail heading towards Vienna. An argument between a German couple provides the excuse/reason for Celine (Delpy) to sit adjacent to Jesse (Hawke). Jesse takes this opportunity to talk to Celine. They sit together and share stories from childhood and the spark of a budding relationship begins to form. When the train finally stops in Vienna, Jesse plans to get off whereas Celine is suppose to be heading on and return home. Jesse decides to take a chance and invites Celine to spend a day in Vienna with him. He has no money for a hotel/accommodation and proposes that they spend the night exploring the city. With conversation flowing, it is clear that neither are ready to say goodbye, so with very little hesitation Celine departs the train with Jesse and we follow them as they wander through the streets of Vienna.

For those of you expecting dramatic action or dialogue, you are watching the wrong film. It goes from one conversation to another. It's set at a very leisurely pace as the two of them walk the streets of Vienna where they discuss things that come to mind. One scene has them being tracked through the streets in one continual shot which is marvellously done as both leads talk so naturally it feels like we are listening in on a private conversation. Their exchanges of conversation are not at all pompous or overly intellectual but consist of amusing observations, anecdotes and quirky ideas (like reincarnation and monkeys!)



There is one particular scene in the music store where they stand in a booth and listen to some music, quickly glancing at one another hoping for the other not to catch them looking. It's all too cute, touching and refreshingly genuine. This feels like a poignant moment in the film where as a viewer you finally allow yourself to hope and believe that from this chance encounter true love will in fact blossom. Unlike most romantic tales, this film doesn't hide the obvious attraction between the pair. There is no premise of unrequited love or denial of true feelings with the purpose of the film to show how against all odds this is overcome. The film purely relays all conversations shared from past experiences, ideals and opinions on everything no matter how insignificant, or obscure and from this their relationship grows. It's these little things that gives this film it's beauty and provides enjoyment. As their relationship unfolds it becomes more and more naturalistic and believable. Can two strangers meet and fall in love in one night? For those of you who hold some romantic notion/ideal then the answer would be yes, but for those cynics out there, you will probably think this is all too convenient. 


The two leads are extremely likable and very easy on the eyes, with a completely believable and very genuine look at two people falling for one another and with the film finishing with both characters promising to come back and reconnect, the film is left for us to imagine whether their love can truly blossom such is the way of the spirit of the film, very invigorating, imaginative and joyful to watch.





Acting 4.5/5
Technical Merit 4/5
Narrative 4/5
Entertainment 4.5/5

17/20



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